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Symphonic Cycle 01
Symphonic Cycle 01

19/20SEP2024|20:00H

Teatro de la Maestranza
Symphonic Cycle 02
Symphonic Cycle 02

02/03OCT2024|20:00H

Teatro de la Maestranza
Symphonic Cycle
Symphonic Rehearsals

2024-2025

Teatro de la Maestranza
Symphonic Cycle 03
Symphonic Cycle 03

10/11OCT2024|20:00H

Teatro de la Maestranza
Symphonic Cycle 04
Symphonic Cycle 04

21/22NOV2024|20:00H

Teatro de la Maestranza
Symphonic Cycle 05
Symphonic Cycle 05

16/17ENE2025|20:00H

Teatro de la Maestranza
Symphonic Cycle 06
Symphonic Cycle 06

20/21FEB202520:00H

Teatro de la Maestranza
Symphonic Cycle 07
Symphonic Cycle 07

06/07MAR2025|20:00H

Teatro de la Maestranza
Symphonic Cycle 08
Symphonic Cycle 08

03/04ABR2025|20:00H

Teatro de la Maestranza
Symphonic Cycle 09
Symphonic Cycle 09

10/11ABR2025|20:00H

Teatro de la Maestranza
Symphonic Cycle 10
Symphonic Cycle 10

24/25ABR2025|20:00H

Teatro de la Maestranza
Symphonic Cycle 11
Symphonic Cycle 11

15/16MAY2025|20:00H

Teatro de la Maestranza
Symphonic Cycle 12
Symphonic Cycle 12

25/26JUN2025|20:00H

Teatro de la Maestranza
Symphonic Cycle 13
Symphonic Cycle 13

03/04JUL2025|20:00H

Teatro de la Maestranza
Conductor | Guillermo García Calvo

The arrival of Lucas Macías to the podium as principal conductor marks a new chapter in the concert season—the first to be entirely produced by the new management of the ROSS. This season offers thirty evenings across fifteen programs, encompassing a wide panorama of symphonic music—from Mozart’s classicism to contemporary Spanish compositions, to which the orchestra has always been committed. Brahms, Dvořák, Tchaikovsky, Fauré, Debussy, Ravel, Rachmaninov, Richard Strauss, Stravinsky, Bartók, Poulenc, Ibert, Shostakovich, Gershwin, Yves, Bernstein, Falla, and Turina are the great names in this cycle, which gives special attention to late Romantic music, French Impressionism, and the expressive new languages of the early 20th century—without losing sight of the great classical and Romantic patriarchs: Mozart, Beethoven, Mendelssohn (with a nod to his sister, the great Fanny Mendelssohn), Schumann, and Berlioz.
From these first-rate ingredients, the ROSS offers a most appealing program, further enriched with works by new composers such as Francisco Coll, Josep Planells, Raquel García Tomás, Gabriela Ortiz, and Borja Mariño. Mariño’s songs based on poems by Sevillian poets—previously premiered in the city in a chamber version—will now be performed with a new orchestral dimension, where contemporary word and music join hands.

The season is built on three great Mahlerian pillars: the Second, Fifth, and Sixth Symphonies, which will be performed across the year’s seasons, forming the backbone of a cycle that maintains a balance between symphonic and concertante works. It also features some of today’s most acclaimed soloists in uncommon combinations—such as Poulenc’s Concerto for Two Pianos performed by the Jussen brothers, the four horns of Schumann’s Konzertstück led by Matías Piñeira, principal horn of the Munich Philharmonic, the solitary viola in Berlioz’s Harold in Italy played by French violist Lise Berthaud, and Daniela Iolkicheva’s harp in Turina’s Suite from El Castillo de Almodóvar, which will serve as a prelude to Falla’s El amor brujo and The Three-Cornered Hat.

At the piano, we’ll have American pianist Wayne Marshall in an American- and jazz-themed evening, and Russian pianist Anna Vinnitskaya will perform Rachmaninov’s stormy Piano Concerto No. 3. Another beloved work by Rachmaninov, the Rhapsody on a Theme of Paganini, will be played by the young and already acclaimed Russian pianist Dmitry Shishkin. And, of course, the indispensable violin concerto—this season, Beethoven’s—will be performed by Daniel Lozakovich.

The human voice will be represented not only by the Maestranza Choir and the Andalusian Youth Choir in Mahler’s Resurrection Symphony, but also by sopranos Chen Reiss (artist-in-residence this season), who will take on Richard Strauss’s Four Last Songs, a summit of post-Romantic symbolism; tenor Filip Filipović; sopranos Auxiliadora Toledano and Emőke Baráth; and mezzo-soprano Emily D’Angelo.

A special mention goes to two internationally renowned Sevillian stars: soprano Leonor Bonilla, in a program entirely devoted to Mozart including the Jupiter Symphony, and pianist Juan Pérez Floristán, who, with Bartók’s Piano Concerto No. 2, will complete his performance of the full cycle of Bartók’s piano concertos begun three years ago.

In addition to Lucas Macías as principal conductor, returning guest conductors beloved by the audience include György Györiványi Ráth, who will conduct both Bartók’s Concerto and Mahler’s Tragic Sixth, and Álvaro Albiach, who debuts with a program of Dvořák and Rachmaninov. Notably, the ROSS continues to support women conductors: Korean conductor Shi-Yeon Sung returns after achieving great expressive heights with the orchestra; Johanna Malangré leads a family-friendly dance-themed program with works by Fauré, Ibert, and Ravel; and Teresa Ribeiro Böhm takes charge of the major Mozartian evening of the season. But if there is one reason to celebrate this new season, it is the return of our honorary conductor, Michel Plasson, who at the age of 92 will offer a delightfully French program dedicated to Berlioz and Ravel.

GRAND SYMPHONIC SUBSCRIPTION SERIES: RENEWAL AND SALE
Exclusive Discount

40% discount on the price of single tickets.

SYMPHONIC SUBSCRIPTION – Teatro de la Maestranza
15 programs from September 2025 to July 2026, on Thursdays and Fridays, all at 8:00 PM.

SYMPHONIC SERIES RENEWAL
From May 19 to June 15, 2025. During this period, seats held by current 2024/25 season subscribers will be reserved for renewal for the 2025/26 season.

Renewal options:

By phone: 954 56 16 69, Monday to Friday, 10 AM–2 PM and 5 PM–8 PM.

In person: at the Teatro de la Maestranza box office, Paseo Cristóbal Colón, 22, Seville. Monday to Friday, 10 AM–2 PM and 5 PM–8 PM. (For greater accuracy, please check opening hours on the Teatro de la Maestranza website).

Online: via ROSS website rossevilla.es / Personal Area / click on the "SUBSCRIPTIONS" tab. You must be previously registered in your Personal Area to use this method.

If renewed by phone, your subscription tickets may be collected from September 2 at the Teatro de la Maestranza box office, up to two days before the first concert.

PAYMENT METHODS
For in-person renewals, payment can be made in cash or by credit card in a single payment.

For online or phone renewals, payment is by credit card, in a single payment.

For automated renewal of your subscription for the 2026/27 season and beyond, bank account information will be requested.

PURCHASE OF NEW SUBSCRIPTIONS TO THE SYMPHONIC SERIES
By phone or in person: from May 19 to July 18 and September 2 to 10.

Online: from May 19 to September 10.

Purchase options:

By phone: 954 56 16 69, Monday to Friday, 10 AM–2 PM and 5 PM–8 PM.

In person: Teatro de la Maestranza box office, Paseo Cristóbal Colón, 22, Seville. Monday to Friday, 10 AM–2 PM and 5 PM–8 PM. From July 1 onwards, the box office is closed in the afternoons.

Online: through the ROSS website rossevilla.es.

For phone purchases, subscription tickets may be collected from September 2 at the Teatro de la Maestranza box office, up to two days before the first concert.

PAYMENT METHODS
For in-person purchases, payment can be made in cash or by credit card, in a single payment.

For online or phone purchases, payment is by credit card, in a single payment.

IMPORTANT NOTE: Bank account details will be requested for automated billing of subscriptions for the 2026/27 season and beyond.

For online purchases, payment must be made by credit card, in a single transaction.

PLEASE NOTE: From July 19 to September 1, phone and in-person sales are not available. Only online purchases of subscriptions and single tickets will be active.